
" . . . the greatest contribution to [semiotics] since the pioneering work of C. S. Peirce and Charles Morris." —Journal of Aesthetics and Art Criticism
" . . . draws on philosophy, linguistics, sociology, anthropology and aesthetics and refers to a wide range of scholarship . . . raises many fascinating questions." —Language in Society
" . . . a major contribution to the field of semiotic studies." —Robert Scholes, Journal of Aesthetics and Art Criticism
" . . . the most significant text on the subject published in the English language that I know of." —Arthur Asa Berger, Journal of Communication
Eco's treatment demonstrates his mastery of the field of semiotics. It focuses on the twin problems of the doctrine of signs—communication and signification—and offers a highly original theory of sign production, including a carefully wrought typology of signs and modes of production.
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1932–2016
Umberto Eco (5 January 1932 – 19 February 2016) was an Italian novelist, literary critic, philosopher, semiotician, and university professor. He is widely known for his 1980 novel Il nome della rosa (The Name of the Rose), a historical mystery combining semiotics in fiction with biblical analysis, medieval studies, and literary theory. He later wrote other novels, including Il pendolo di Foucault (Foucault's Pendulum) and L'isola del giorno prima (The Island of the Day Before). His novel Il cimitero di Praga (The Prague Cemetery), released in 2010, topped the bestseller charts in Italy. Eco also wrote academic texts, children's books, and essays, and edited and translated into Italian books from French, such as Raymond Queneau’s “Exercises in Style” (1983). He was the founder of the Department of Media Studies at the University of the Republic of San Marino,[3] president of the Graduate School for the Study of the Humanities at the University of Bologna, member of the Accademia dei Lincei, and an honorary fellow of Kellogg College, Oxford.
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