
The highly influential yet undisclosed relationship between modern American poet Charles Olson (1910-1970) and Frances Boldereff comes to light in this first collection of their extensive, often impassioned, correspondence. What starts with a fan letter from the idiosyncratic intellectual Boldereff soon surges to an exchange numbering hundreds of pages. In these letters, one views the early stages of the “Maximus” poems and the developing poetics embodied in Olson’s 1950 essay on “Projective Verse.” While this correspondence reveals much about the work and life of a man who became the dominant figure among the Black Mountain poets, Boldereff herself stands out as an extraordinary collaborator, occasional lover, and intellectual rival to Olson. Here are two great minds and creative spirits caught up in an exchange every bit as riveting as the letters of de Beauvoir and Sartre.
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1910–1970
Charles Olson was a second generation American modernist poet who was a crucial link between earlier figures like Ezra Pound and William Carlos Williams and the New American poets, a rubric which includes the New York School, the Black Mountain School, the Beat poets, and the San Francisco Renaissance. Consequently, many postmodern groups, such as the poets of the Language School, include Olson as a primary and precedent figure. Across the Atlantic, these various poetic movements have exerted a deep and ongoing influence on an important array of alternative and experimental writers, including Roy Fisher, Geoffrey Hill, JH Prynne and Edwin Morgan, behind whose works lurks Olson's ghost of language-driven inventiveness. ([Source][1].) [1]:http://en.wikipedia.org/wiki/Charles_Olson
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