
Two great poets thinking through life and literature in an unequalled correspondence: Charles Olson & Robert Creeley: The Complete Correspondence: Volume 5.
The ten-volume Charles Olson & Robert Creeley: The Complete Correspondence is an enormously valuable, often thrilling, record of the friendship between two major poets, their greatest work largely still ahead of them both. Working out their thoughts in letters, Olson credited Creeley with formulating one of the basic principles of a new poetry: the idea that “form is never more than an extension of content.” But there was also the larger issue of how a man of language must live in the world.
The correspondence covers periods when both men were unsettled―Creeley restlessly moving his young family around isolated Mediterranean villages, Olson drifting indecisively between conflicting roles as mentor at Black Mountain and writer in Washington, D.C. Throughout, however, there is an intense, single-minded dedication to poetry and the unique difficulties of putting into language the creative rhythms of conscious thought. This collection of uncommon richness will charm, challenge and inspire.
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1910–1970
Charles Olson was a second generation American modernist poet who was a crucial link between earlier figures like Ezra Pound and William Carlos Williams and the New American poets, a rubric which includes the New York School, the Black Mountain School, the Beat poets, and the San Francisco Renaissance. Consequently, many postmodern groups, such as the poets of the Language School, include Olson as a primary and precedent figure. Across the Atlantic, these various poetic movements have exerted a deep and ongoing influence on an important array of alternative and experimental writers, including Roy Fisher, Geoffrey Hill, JH Prynne and Edwin Morgan, behind whose works lurks Olson's ghost of language-driven inventiveness. ([Source][1].) [1]:http://en.wikipedia.org/wiki/Charles_Olson
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