
"Absolutely spellbinding: ballerina Farrell's autobiography is the story of someone doing exactly what she wanted in life, and loving every minute of it. Through her work with George Balanchine, it is also the story of one of the greatest artistic collaborations in dance. . . . An uplifting, splendid memoir."--Kirkus
"An extraordinarily moving story."--New York Times Book Review
"Farrell's story is not only that of a great dancer but of a great star. . . . this book is important. The subject is great, the views of Balanchine are real and unique."--Washington Post Book World
Suzanne Farrell, world-renowned ballerina, was one of George Balanchine's most celebrated muses and remains a legendary figure in the ballet world. This memoir, first published in 1990 and reissued with a new preface by the author, recounts Farrell's transformation from a young girl in Ohio dreaming of greatness to the realization of that dream on stages all over the world. Central to this transformation was her relationship with George Balanchine, who invited her to join the New York City Ballet in the fall of 1961 and was in turn inspired by her unique combination of musical, physical, and dramatic gifts. He created masterpieces for her in which the limits of ballet technique were expanded to a degree not seen before. By the time she retired from the stage in 1989, Farrell had achieved a career that is without precedent in the history of ballet. One third of her repertory of more than 100 ballets were composed expressly for her by such notable choreographers as Balanchine, Jerome Robbins, and Maurice Bejart. Farrell recalls professional and personal attachments and their attendant controversies with a down-to-earth frankness and common sense that complements the glories and mysteries of her artistic achievement.
Suzanne Farrell has staged Balanchine's ballets in New York, Boston, Seattle, and Miami and for the Vienna Opera Ballet, the Kirov, and the Bolshoi. She is the subject of an Academy Award nominated documentary, Suzanne Farrell--Elusive Muse. A professor of dance at Florida State University in Tallahassee, she also teaches a summer ballet course at the Kennedy Center for the Performing Arts in Washington, D.C. In the fall of 2000, the Suzanne Farrell Ballet was launched as an ongoing partnership with the Kennedy Center.

by Elia Kazan
Like Farrell, Kazan gives you an unflinching account of a life spent in obsessive pursuit of artistic excellence, but from the director's side of that creative partnership. You'll recognize the same tension between personal sacrifice and professional triumph, and Kazan's prose has that same grounded, no-nonsense quality that made Farrell's memoir so compelling—he doesn't romanticize the cost of greatness, he just tells you what it was.
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by Sheryll Cashin
This is my surprise pick for you—it's historical fiction rather than memoir, but it captures something Farrell's book made you feel: the intensity of two brilliant women whose lives become intertwined through shared purpose. Erpenbeck writes with the precision of a choreographer herself, and there's a similar meditation on how ambition, devotion, and personal desire can coexist in ways that aren't always comfortable or neat.
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by Peter F. Ostwald
You've just spent time with one of ballet's greatest figures; Moore's biography of Nijinsky—the dancer who preceded Farrell as ballet's most revolutionary talent—reads almost like a tragic counterpoint to Farrell's story. Where Farrell found stability and longevity in her partnership with Balanchine, Nijinsky's collaborations burned brilliantly and briefly. Moore writes with real psychological insight into what drove him, and you'll see echoes of the same creative obsession that animated Farrell's career.
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by Patti Smith
Smith's memoir has the same quality of intimate artistic partnership that makes Farrell's book so gripping—in this case, her relationship with photographer Robert Mapplethorpe as they navigated New York's art scene in the 1970s. What connects them is the way both writers capture that specific hunger of young artists who knew exactly what they wanted and were willing to sacrifice everything to achieve it, without a shred of self-pity about the cost.
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Biography coming soon.
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