
The Archbishop's Ceiling: the setting is an ornate room in a former Archbishop's palace in an Eastern European capital, a room which has probably been bugged by the secret police. The central character is a middle-aged author, Sigmund, who, having embarrassed the current regime, is faced with the choice of detention and punishment or defection to the West. He is encouraged in the latter by two of his former friends, also writers, his compatriot Marcus, an ex-political prisoner now in favor with the regime, and Adrian, a visiting American with strongly liberal ideals. The situation is complicated by the presence of Maya, a poet and actress, who has been the mistress of all three. It is the complexity of the relationship of these four, the inextricable interweaving of politics, art and sex, and the constant uncertainty as to whether what they say may be overheard that makes for a rich and deeply intriguing play - and one which raises questions not only about morality but individual responsibility.
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1915–2005
Arthur Asher Miller was an American playwright, essayist and screenwriter in the 20th-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), and A View from the Bridge (1955). He wrote several screenplays and was most noted for his work on The Misfits (1961). The drama Death of a Salesman is considered one of the best American plays of the 20th century.
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