Tom Stoppard: Rosencrantz and Guildenstern are Dead, Jumpers and Travesties

A selection of critical commentary, from the casebook series, on three major plays in the early to middle period of Stoppard's career as a dramatist, including his own comments on his aims and methods. Dyson's introduction examines the main elements in Stoppard's work, tracing various strands in critical response.