“From an early age, I had the idea that writing was truth-telling. It's on the record. Everybody can see it. Maybe it goes back to the sacred origins of literature - the holy book. There's no...”
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Author detail
Edmund Valentine White III is a patriarch of modern gay American literature, having contributed novels, memoirs, short stories, and essays, non-fiction as well as fiction, dealing with a range of social topics, frequently involving same-sex love. His best-known works include *The Joy of Gay Sex* (with Charles Silverstein) and his autobiographic-fiction trilogy *A Boy's Own Story*, *The Beautiful Room Is Empty*, and *The Farewell Symphony*.
Quotes
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“From an early age, I had the idea that writing was truth-telling. It's on the record. Everybody can see it. Maybe it goes back to the sacred origins of literature - the holy book. There's no...”
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“I've always been impelled to say the truth. When I was 14, in 1954, I already wrote a gay novel, though I'd never read one. I felt that life handed me a great subject, gay life, that had sca...”
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“If you're a beach person or a golfer, Key West is not for you. Most of the sand has been imported, and the water is shallow until you've waded far out, and all the way the sea floor is cover...”
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“While writing 'City Boy,' I relied mainly on my own memories. In particular, I was able to describe the effect of gay liberation on an individual life (mine) as events paralleled my own grow...”
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“If I take a less defensive tone, I'd admit that I couldn't write today a very jazzy, contemporary look at America as I did in 1979 in States of Desire.”
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“Biography can be the most middle-class of all forms, the judgment of little people avenging themselves on the great.”
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“The Stonewall riots were a key moment for gay people. Throughout modern history, gays had thought of themselves as something like a mental illness or maybe a sin or a crime. Gay liberation a...”
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“The French are pretty thin-skinned. The few times I mentioned a French writer in 'City Boy,' the relatives would ring up in high dudgeon. I once wrote a mocking review of Marguerite Duras in...”
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“When I was young, I despised old people. I was provincial and narrow-minded. It's the reason I stayed stupid so long. If you only get involved with young people you don't learn anything abou...”
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“I lived through the Fifties in the Midwest when everything that was happening - the repression of homosexuality, for instance, the demonization of the Left, the giggly, soporific ordinarines...”
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“When a woman falls in love with me, I feel guilty. I am convinced that it's pure obstinacy that keeps me from reciprocating her passion. As I explain to her that I'm gay, it sounds, even to...”
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“Paradoxically, since gay men rarely have gay parents, cultural transmission must come from friends or strangers (a problem since the generations so seldom mix in gay life).”
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“Sometimes Peggy herself would sell tickets to her museum, and if tourists asked her if Mrs. Guggenheim was still alive, she'd assure them she wasn't.”
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“Whereas fiction is a continual discovery of what one wants to say, what one feels, what one means, and is, in that sense, a performance art, biography requires different skills - research an...”
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“Everyone seems agreed that writing about sex is perilous, partly because it threatens to swamp highly individualised characters in a generic, featureless activity (much like coffee-cup dialo...”
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“AIDS had won gays sympathy; they no longer seemed the privileged brats that the general populace had resented in the 1970s.”
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“I'm an atheist, I always thought, 'This is it.' If there is going to be a heaven, it should be on earth. I feel much happier than most people. I'm fairly stoic about death, but I'm not keen...”
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“My mother was terribly invasive, all in the name of psychiatric honesty. It was a bad thing in some ways, but I do think it had the effect of making me interested in 'the truth' as a writer...”
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“My father was a sort of John Wayne Texan who'd worked as a cowboy when he was young. He'd participated in rattlesnake round-ups and swum with copperheads.”
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“In retrospect, we could see that the 1950s had been a reactionary period in America of Eisenhower blandness, of virulent anticommunism, of the 'Feminine Mystique.'”
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