“It's important not to censor yourself and not to get upset or demoralized when you write bad stuff.”
Tolstoy didn't know about steampunk or cyborgs, but he did know about the nightmarishness of steam power, unruly machines, and the creepy half-human status of the Russian peasant classes. In 'Anna Karenina,' nineteenth-century life itself is a relentless, relentlessly modern machine, flattening those who oppose it.
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“It's important not to censor yourself and not to get upset or demoralized when you write bad stuff.”
“The novel is like a melancholy form. It's about some kind of disillusionment with the way things are versus the idea of how they could be or how they used to be.”
“There's this idea that if you want to write, you shouldn't study literature because then you're dissecting what you love, and you should keep your love of literature pure. I think that's kind of silly.”
“My parents were educated in the Turkish system and went straight from high school to medical school; my mom, who had skipped a grade, was dissecting corpses at age seventeen. Growing up in America, I think I envied my parents' education. By comparison, everything I did in school seemed so sort of lo...”
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