Daily Digest

“Books are a uniquely portable magic.”

“The scariest moment is always just before you start.”

“The road to hell is paved with adverbs.”

“you can, you should, and if you’re brave enough to start, you will.”

“I am, when you stop to think of it, a member of a fairly select group: the final handful of American novelists who learned to read and write before they learned to eat a daily helping of video bullshit.”

“Amateurs sit and wait for inspiration, the rest of us just get up and go to work.”

“In many cases when a reader puts a story aside because it 'got boring,' the boredom arose because the writer grew enchanted with his powers of description and lost sight of his priority, which is to keep the ball rolling.”

“There's an old rule of theater that goes, 'If there's a gun on the mantel in Act I, it must go off in Act III.' The reverse is also true.”

“Reading takes time, and the glass teat takes too much of it.”

“Words have weight.”

“If you're just starting out as a writer, you could do worse than strip your television's electric plug-wire, wrap a spike around it, and then stick it back into the wall. See what blows, and how far. Just an idea.”

“The rest of it - and perhaps the best of it - is a permission slip: you can, you should, and if you're brave enough to start, you will.”

“Story is honorable and trustworthy; plot is shifty, and best kept under house arrest.”

“The idea that creative endeavor and mind-altering substances are entwined is one of the great pop-intellectual myths of our time.”

“Reading at meals is considered rude in polite society, but if you expect to succeed as a writer, rudeness should be the second-to-least of your concerns. The least of all should be polite society and what it expects.”

“A boy who once wiped his ass with poison ivy probably doesn't belong in a smart people's club.”

“As a young man just beginning to publish some short fiction in the t&a magazines, I was fairly optimistic about my chances of getting published; I knew that I had some game, as the basketball players say these days, and I also felt that time was on my side; sooner or later the best-selling writers of the sixties and seventies would either die or go senile, making room for newcomers like me.”

“Almost everyone can remember losing his or her virginity, and most writers can remember the first book he/she put down thinking: I can do better than this. Hell, I am doing better than this! What could be more encouraging to the struggling writer than to realize his/her work is unquestionably better than that of someone who actually got paid for his/her stuff?”

“Write with the door closed, rewrite with the door open.”

“Writing isn't about making money, getting famous, getting dates, getting laid, or making friends. In the end, it's about enriching the lives of those who will read your work, and enriching your own life, as well. It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.”

“To write is human, to edit is divine.”

“One of the really bad things you can do to your writing is to dress up the vocabulary, working for long words because you're maybe a little bit ashamed of your short ones. This is like dressing up a household pet in evening clothes. The pet is embarrassed, and the person who committed this act of premeditated cuteness should be even more embarrassed.”

“One of the really bad things you can do to your writing is to dress up the vocabulary, looking for long words because you're maybe a little bit ashamed of your short ones. This is like dressing up a household pet in evening clothes. The pet is embarrassed and the person who committed this act of premeditated cuteness should be even more embarrassed.”

“If you expect to succeed as a writer, rudeness should be the second-to-least of your concerns. The least of all should be polite society and what it expects. If you intend to write as truthfully as you can, your days as a member of polite society are numbered, anyway.”

“Symbolism exists to adorn and enrich, not to create an artificial sense of profundity.”

“You can approach the act of writing with nervousness, excitement, hopefulness, or despair ... Come to it any way but lightly.”

“The more you read, the less apt you are to make a fool of yourself with your pen or word processor.”

“It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.”

“You cannot hope to sweep someone else away by the force of your writing until it has been done to you.”

“Let's get one thing clear right now, shall we? There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up.”

“Membacalah empat jam sehari dan menulislah empat jam sehari. Kalau kau tidak bisa meluangkan waktu untuk itu, jangan harap kau bisa menjadi penulis yang baik.”

“Description is what makes the reader a sensory participant in the story. Good description is a learned skill,one of the prime reasons you cannot succeed unless you read a lot and write a lot. It's not just a question of how-to, you see; it's a question of how much to. Reading will help you answer how much, and only reams of writing will help you with the how. You can learn only by doing.”

“Books are a uniquely portable magic”

“I believe the first draft of a book — even a long one — should take no more than three months…Any longer and — for me, at least — the story begins to take on an odd foreign feel, like a dispatch from the Romanian Department of Public Affairs, or something broadcast on high-band shortwave duiring a period of severe sunspot activity.”

“Some of this book—perhaps too much—has been about how I learned to do it. Much of it has been about how you can do it better. The rest of it—and perhaps the best of it—is a permission slip: you can, you should, and if you're brave enough to start, you will. Writing is magic, as much the water of life as any other creative art. The water is free. So drink. Drink and be filled up.”

“I like to get ten pages a day, which amounts to 2,000 words. That’s 180,000 words over a three-month span, a goodish length for a book — something in which the reader can get happily lost, if the tale is done well and stays fresh.”

“When you write a book, you spend day after day scanning and identifying the trees. When you’re done, you have to step back and look at the forest.”

“I have spent a good many years since―too many, I think―being ashamed about what I write. I think I was forty before I realized that almost every writer of fiction or poetry who has ever published a line has been accused by someone of wasting his or her God-given talent. If you write (or paint or dance or sculpt or sing, I suppose), someone will try to make you feel lousy about it, that's all.”

“Bad writing is more than a matter of shit syntax and faulty observation; bad writing usually arises from a stubborn refusal to tell stories about what people actually do― to face the fact, let us say, that murderers sometimes help old ladies cross the street.”

“Good description is a learned skill, one of the prime reasons why you cannot succeed unless you read a lot and write a lot. It’s not just a question of how-to, you see; it’s also a question of how much to. Reading will help you answer how much, and only reams of writing will help you with the how. You can learn only by doing.”

“So okay― there you are in your room with the shade down and the door shut and the plug pulled out of the base of the telephone. You've blown up your TV and committed yourself to a thousand words a day, come hell or high water. Now comes the big question: What are you going to write about? And the equally big answer: Anything you damn well want.”

“Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.”

“Description begins in the writer’s imagination, but should finish in the reader’s.”