
Taken By Storm is a superb selection of Storm Thorgerson's work over the past 30 years. It features the best of Hipgnosis, Pink Floyd and the Storm Studios and is a visual equivalent of a greatest hits album.Thorgerson's prolific album art is presented in full-colour and includes in-depth analysis of each image, including the themes and motivations that inspired the work, as well as the practical details involved in producing each stunning image.Includes new material from the last five years, none of which has been previously published in book form.

by Ann Rule
Rock's photography book captures the same era and aesthetic sensibility as Thorgerson's work—both men were visual architects of rock mythology in the '70s. Where Thorgerson worked conceptually through surrealism and constructed imagery, Rock's lens caught the raw, glittering reality of the same performers and moment. You'll recognize the visual language they shared, even as their approaches diverged.
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by Edward Dmytryk
This one might seem like a left turn, but Thorgerson's album art is fundamentally cinematic—he composed images like film stills, using depth, symbolism, and narrative suggestion in single frames. Bordwell's analysis of how filmmakers construct meaning through visual composition will deepen your appreciation for what Thorgerson was actually doing technically and conceptually with his photographs.
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by James Baldwin
Here's the genuine surprise: this 1965 memoir shares Thorgerson's obsession with image-making and reinvention as acts of power and identity. Just as Thorgerson constructed visual personas for Pink Floyd and other artists, Malcolm X narrates his own radical transformation through different visual presentations of self. Both are about how appearance and symbol shape reality and meaning.
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by Peter Fuller (John Berger)
Berger's essays emerged from the same cultural moment as Thorgerson's peak work and ask the fundamental question: how do we actually *see* images? Since Taken by Storm walks you through Thorgerson's intentions, Berger will help you understand the broader visual literacy that made his work revolutionary—how advertising, fine art, and photography all compete for our attention and belief.
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by Mark Alan Stamaty
Thorgerson's work was always about the intersection of high art and commercial music—he elevated album covers to gallery-worthy status. Wafer explores how visual media became democratized and how artists used new technologies to tell stories. It's a natural progression from understanding how one artist shaped an era's visual identity to seeing how that power eventually dispersed across culture.
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