“And we all know love is a glass which makes even a monster appear fascinating.”
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Author detail
Alberto Moravia is an Italian journalist, short-story writer, and novelist known for his fictional portrayals of social alienation and loveless sexuality. He was a major figure in 20th-century Italian literature. Moravia contracted tuberculosis of the bone (a form of osteomyelitis usually caused by Mycobacterium tuberculosis) at the age of 8, but, during several years in which he was confined to bed and two years in sanatoriums, he studied French, German, and English; read Giovanni Boccaccio, Ludovico Ariosto, William Shakespeare, and Molire; and began to write. Moravia was a journalist for a time in Turin and a foreign correspondent in London. His first novel, Gli indifferenti (1929; Time of Indifference), is a scathingly realistic study of the moral corruption of a middle-class mother and two of her children. It became a sensation. Some of his more important novels are Agostino (1944; Two Adolescents); La Romana (1947; The Woman of Rome); La disubbidienza (1948; Disobedience); and Il conformista (1951; The Conformist), all on themes of isolation and alienation. La ciociara (1957; Two Women) tells of an adaptation to post-World War II Italian life. La noia (1960; The Empty Canvas) is the story of a painter unable to find meaning either in love or work. Many of Moravia's books were made into motion pictures. His books of short stories include Racconti romani (1954; Roman Tales) and Nuovi racconti romani (1959; More Roman Tales). Racconti di Alberto Moravia (1968) is a collection of earlier stories. Later short-story collections include Il paradiso (1970; “Paradise”) and Boh (1976; The Voice of the Sea and Other Stories). Most of Moravia's works deal with emotional aridity, isolation, and existential frustration and express the futility of either sexual promiscuity or conjugal love as an escape. Critics have praised the author's stark, unadorned style, his psychological penetration, his narrative skill, and his ability to create authentic characters and realistic dialogue. Moravia's views on literature and realism are expressed in a stimulating book of essays, L'uomo come fine (1963; Man as an End), and his autobiography, Alberto Moravia's Life, was published in 1990. He was married for a time to the novelist Elsa Morante. Copyright © 1994-2011 Encyclopædia Britannica, Inc. For more information visit Britannica.com - [Source][1] [1]: http://www.biography.com/people/alberto-moravia-9414103
Quotes
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“And we all know love is a glass which makes even a monster appear fascinating.”
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“This thought strengthened in me my belief that all men, without exception, deserve to be pitied, if only because they are alive.”
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“When you aren't sincere you need to pretend, and by pretending you end up believing yourself; that's the basic principle of every faith.”
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“Every true writer is like a bird; he repeats the same song, the same theme, all his life. For me, this theme as always been revolt.”
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“Our ideals, laws and customs should be based on the proposition that each generation in turn becomes the custodian rather than the absolute owner of our resources - and each generation has t...”
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“Good writers are monotonous, like good composers. They keep trying to perfect the one problem they were born to understand.”
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