“No! Try not. Do, or do not. There is no try.”
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Author detail
Lawrence Edward Kasdan (born January 14, 1949) is an American filmmaker. He is the co-writer of the Star Wars films The Empire Strikes Back (1980), Return of the Jedi (1983), The Force Awakens (2015), and Solo: A Star Wars Story (2018). He also co-wrote Raiders of the Lost Ark (1981) and The Bodyguard (1992), and is the writer-director of Body Heat (1981), The Big Chill (1983), Silverado (1985), The Accidental Tourist (1988), and Dreamcatcher (2003). He is known for updating old Hollywood genres—film noir, science-fiction, westerns—in a classical dramatic style with quick-witted dialogue, but dealing with contemporary social themes. As a director, he has made various personal films that examine characters and generations. Kasdan has been nominated for four Academy Awards: as a producer for Best Picture nominee The Accidental Tourist, for which he was also nominated for Best Adapted Screenplay, and for Best Original Screenplay for both The Big Chill and Grand Canyon (1991). He has often collaborated with his wife, Meg Kasdan, his brother, Mark Kasdan, and his two sons: Jonathan Kasdan and Jake Kasdan. He frequently casts Kevin Kline in his films. [source](https://en.wikipedia.org/wiki/Lawrence_Kasdan)
Quotes
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“No! Try not. Do, or do not. There is no try.”
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“The ability to speak does not make you intelligent.”
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“We’re a couple of shooting stars, Biggs, and we’ll never be stopped.”
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“Always remember, your focus determines your reality.”
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“Part of the issue of achievement is to be able to set realistic goals, but that's one of the hardest things to do because you don't always know exactly where you're going, and you shouldn't.”
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“Digital technology is the same revolution as adding sound to pictures and the same revolution as adding color to pictures. Nothing more and nothing less.”
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“If the boy and girl walk off into the sunset hand-in-hand in the last scene, it adds 10 million to the box office.”
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“A film is sort of binary - it either works or it doesn't work. It has nothing to do with how good a job you do. If you bring it up to an adequate level where the audience goes with the movie...”
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“One of the amazing things about 'Seven Samurai' is that there are a lot of characters. And considering you have so many, and they all have shaved heads, and you've got good guys and bad guys...”
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“I was going to go to a four-year college and be an anthropologist or to an art school and be an illustrator when a friend convinced me to learn photography at the University of Southern Cali...”
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“I started out in anthropology, so to me how society works, how people put themselves together and make things work, has always been a big interest.”
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“Before I became a film major, I was very heavily into social science, I had done a lot of sociology, anthropology, and I was playing in what I call social psychology, which is sort of an off...”
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“Working hard is very important. You're not going to get anywhere without working extremely hard.”
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“All art is dependent on technology because it's a human endeavour, so even when you're using charcoal on a wall or designed the proscenium arch, that's technology.”
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“I've come to the conclusion that mythology is really a form of archaeological psychology. Mythology gives you a sense of what a people believes, what they fear.”
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“I grew up in San Francisco. And so I'm informed in a certain kind of way about, you know, believing in democracy and believing in America. And I'm a very ardent patriot.”
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“Football games are on TV, and it doesn't affect stadium attendance at all. It's the same with movies. People who really love movies and like to go out on a Saturday night will go to the movi...”
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“I realized why directors are such horrible people - in a way - because you want things to be right, and people will just not listen to you, and there is no time to be nice to people, no time...”
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“I live a reasonably simple life, off the beaten track.”
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“The secret to the movie business, or any business, is to get a good education in a subject besides film - whether it's history, psychology, economics, or architecture - so you have something...”
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