“I was raised in South Carolina; I wasn't aware of any art in South Carolina. There was a minor museum in Charleston, which had nothing of interest in it. It showed local artists, paintings o...”
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“I was raised in South Carolina; I wasn't aware of any art in South Carolina. There was a minor museum in Charleston, which had nothing of interest in it. It showed local artists, paintings o...”
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“There was very little art in my childhood. I was raised in South Carolina; I wasn't aware of any art in South Carolina. There was a minor museum in Charleston, which had nothing of interest...”
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“At first I had some idea that the absence of color made the work more physical. Early on I was very involved with the notion of the painting as an object and tended to attack that idea from...”
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“Intention involves such a small fragment of our consciousness and of our mind and of our life.”
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“My experience of life is that it's very fragmented; certain kinds of things happen, and in another place, a different kind of thing occurs. I would like my work to have some vivid indication...”
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“Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither.”
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“Everyone is of course free to interpret the work in his own way. I think seeing a picture is one thing and interpreting it is another.”
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“I decided that if my work contained what I could identify as a likeness to other work, I would remove it.'”
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“The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else....”
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“I don't know how to organise thoughts. I don't know how to have thoughts.”
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“I have no ideas about what the paintings imply about the world. I don't think that's a painter's business. He just paints paintings without a conscious reason.”
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“To do a drawing for a painting most often means doing something very sketchy and schematic and then later making it polished.”
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“As one gets older one sees many more paths that could be taken. Artists sense within their own work that kind of swelling of possibilities, which may seem a freedom or a confusion.”
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