Jim Coleman

“But Contra la Puerta was done mostly in the opposite way, starting with sounds and melodies.”

“When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way.”

“For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cool.”

“I like to think that my finest hour is still ahead of me, so I can look forward rather than look backward.”

“If the finest hour is now, then I'll always be in it.”

“Then I took 8 years of French Horn, first jazz, and then classical.”

“I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievable Truth.”

“I don't think I really know just how cool Satan really was when I was in Junior High School. Now, thanks to Marilyn Manson, it's no longer a secret.”

“But that's something that I like about scoring film: it makes me reach out of the parameters of my self, it requires me to do things musically that I wouldn't normally do left to my own devi...”

“I grew up outside of DC, New York state, and Connecticut.”